LATEST STUFF
War Machine, 2026 – ★★★★
Delivers exactly what it promises—clean, punchy action with a slick sci-fi edge. The pacing rarely lets up and the set pieces hit hard. It keeps…
Girls School Screamers, 1986 – ★★
It spends so long wandering empty hallways you start checking the clock. The setup teases a slasher, but the pacing is dead on arrival and…
Achoura, 2018 – ★★
Feels like a bargain-bin riff on It, but without the character work to sell it. A few creepy moments, but mostly forgettable.
The Russian Bride, 2018 – ★★★
A slow crawl that tests your patience for most of the runtime, then flips into chaotic brutality right at the end. The tonal shift is…
Messiah of Evil, 1974 – ★★★
More mood than momentum, drifting through eerie seaside dread with hypnotic narration and striking imagery. The slow burn can test your patience, but the atmosphere…
The Last Horror Film, 1982 – ★★★
Held together almost entirely by Joe Spinell, who brings a sweaty, unsettling edge that keeps things watchable. The structure meanders and the pacing dips, but…
100 Tears, 2007 – ★★★
Barebones story just exists to string together carnage, but the practical effects do the heavy lifting. The gore is gnarly and creative enough to keep…
Simon Sez, 1999 – ★★
An action-comedy that never finds a rhythm. The pacing drags, the jokes land with a thud, and Dane Cook is painfully unfunny. Even the stunts…
Tilt, 2017 – ★★
It’s clearly aiming for a slow descent into obsession, but the pacing feels off and the character work never pulls you in. The tone stays…
Monkey Killer, 2025 – ★★★
Feels like it’s actively trying to lose you. The nonstop flashbacks blur together to the point where characters become interchangeable.
The Strangers: Chapter 3, 2026 – ★
A trilogy finale that doubles down on what didn’t work. The stripped-down approach feels empty instead of tense, and the repetition kills any impact. No…
The Fetus, 2025 – ★★
Familiar beats carry it, but a few seasoned horror faces add some life when it starts to drag. Not much new, just mildly watchable.
The Other Lamb, 2019 – ★★
Another isolated cult drama that mistakes stillness for depth. The woodland setting looks great, but the pacing drifts and the themes feel undercooked. A few…
Ms .45, 1981 – ★★★★
A grimy, propulsive revenge ride that still hits hard. The pacing is tight, the tone is mean as hell, and the silent lead performance is…


