LATEST STUFF

Achoura, 2018 – ★★

Feels like a bargain-bin riff on It, but without the character work to sell it. A few creepy moments, but mostly forgettable.

Messiah of Evil, 1974 – ★★★

More mood than momentum, drifting through eerie seaside dread with hypnotic narration and striking imagery. The slow burn can test your patience, but the atmosphere…

The Last Horror Film, 1982 – ★★★

Held together almost entirely by Joe Spinell, who brings a sweaty, unsettling edge that keeps things watchable. The structure meanders and the pacing dips, but…

100 Tears, 2007 – ★★★

Barebones story just exists to string together carnage, but the practical effects do the heavy lifting. The gore is gnarly and creative enough to keep…

Simon Sez, 1999 – ★★

An action-comedy that never finds a rhythm. The pacing drags, the jokes land with a thud, and Dane Cook is painfully unfunny. Even the stunts…

Tilt, 2017 – ★★

It’s clearly aiming for a slow descent into obsession, but the pacing feels off and the character work never pulls you in. The tone stays…

Monkey Killer, 2025 – ★★★

Feels like it’s actively trying to lose you. The nonstop flashbacks blur together to the point where characters become interchangeable.

The Strangers: Chapter 3, 2026 – ★

A trilogy finale that doubles down on what didn’t work. The stripped-down approach feels empty instead of tense, and the repetition kills any impact. No…

The Fetus, 2025 – ★★

Familiar beats carry it, but a few seasoned horror faces add some life when it starts to drag. Not much new, just mildly watchable.

The Other Lamb, 2019 – ★★

Another isolated cult drama that mistakes stillness for depth. The woodland setting looks great, but the pacing drifts and the themes feel undercooked. A few…

Ms .45, 1981 – ★★★★

A grimy, propulsive revenge ride that still hits hard. The pacing is tight, the tone is mean as hell, and the silent lead performance is…