LATEST STUFF
Disclosure Day, 2026 – ★★
It feels oddly quaint for a story that should’ve been far more provocative. Just when it finally reaches the point where things get interesting, it…
Backrooms, 2026 – ★★★★
Remarkably effective with a simple premise. The unsettling atmosphere, eerie spaces, and restrained approach create genuine tension without overexplaining the mystery. Creepy, well-crafted, and proof…
Masters of the Universe, 2026 – ★★★
It fully embraces the colorful, adventurous spirit instead of chasing grit, and that alone makes it refreshing. The world-building is a blast and the fun…
The Mandalorian and Grogu, 2026 – ★★
Looks great and the score absolutely soars, but it feels like another season instead of a movie. The story peaks too early, Mando never really…
Mockbuster, 2025 – ★★★
Watching the behind-the-scenes chaos is almost more entertaining than the movie itself. It really feels like every obstacle possible gets thrown in the way, making…
Troy, 2004 – ★★★★
One of the last big historical epics made on this scale before the genre faded away. The massive battles, practical spectacle, and old-school filmmaking give…
Buzz Cut, 2021 – ★★
The comedy falls flat far more often than it lands, and the movie never delivers the outrageous gore its premise promises. A couple of decent…
Enys Men, 2022 – ★★
It clearly has something on its mind, but I spent more time trying to figure out what was happening than getting pulled into it. The…
Agnes, 2021 – ★★★
It takes an unexpected turn that completely changes what kind of movie it wants to be, and it’s better for it. I appreciated it more…
The Last Shark, 1981 – ★★★
A shameless Jaws knockoff, but at least it has the good sense to lean into its creature feature roots. The shark puppet has plenty of…
undertone, 2025 – ★★
The podcast hosts are so insufferable that you almost start rooting against them.
The Ruse, 2024 – ★★
The mystery never pulled me in, so every reveal landed with a shrug instead of a surprise.
Pitfall, 2025 – ★★
It feels like several different movies stitched together without ever finding a clear direction. The murky visuals only add to the confusion, making an already…
Love Is the Monster, 2025 – ★★★
It borrows the Midsommar playbook, but never gives you characters worth caring about.
Don't Run, 2019 – ★
One unforgettable puke isn’t enough to rescue everything around it. The rest is a messy mix of weak scares, flat characters, and aimless pacing that…


